This article, by James G. Thomas, Jr., appears in the Spring 2015 issue of the Southern Register. Southern Studies Draws Students from Abroad The Center for the Study of Southern Culture is not unfamiliar to guests and visitors from beyond US borders. Whether they be scholars, students, or enthusiasts of Southern culture in general, the …
Category: General News
SouthDocs Film Wins Emmy for Best Historical Documentary
The Toughest Job: William Winter’s Mississippi, a film by Matthew Graves of the Southern Documentary Project, won an Emmy for best historical documentary from the Southeast division of the National Academy of Television Arts and Sciences. The awards were announced on Saturday, June 6 in Atlanta, and Graves attended the ceremony. “It was such an …
Dr. Jessie Wilkerson Wins Award from the Labor and Working Class History Association
Dr. Jessica Wilkerson, who just completed her first year as Assistant Professor of History and Southern Studies, has just won an award from the Labor and Working Class History Association for her dissertation, “Where Movements Meet: From the War on Poverty to Grassroots Feminism in the Appalachian South.”
Jodi Skipper Honored with Award of Merit for Work in Historic Preservation
We’ve discussed Dr. Jodi Skipper’s work on the Behind the Big House project on the blog before. Here, news of a much-deserved honor for Dr. Skipper. This article, by Center intern Emily Beene, appears in the Spring 2015 issue of the Southern Register. Assistant Professor of Anthropology and Southern Studies Honored with Award of Merit …
A Fond Farewell to the Center’s Mary Hartwell
Mark Camarigg Edits New Book of Blues Interviews
SouthDocs Film on William Winter Nominated for an Emmy
SouthDocs Works with MDAH on Voting Rights Act Film
New Exhibit in Gallery Curated by Lauren Holt – “At the Habana Hilton, 1958”
New STUDY THE SOUTH Article on the Lynching Blues of Robert Johnson
We’ve just published a new essay on our journal Study the South. Karlos K. Hill’s essay, published May 11, explores the near lynching of Robert Johnson’s stepfather, Charles Dodds, the influence that event may have had on Johnson and his music, the horrors of spectacle lynching in the late 19th and early 20th century South, and grassroots responses to this violence.