Grad Student Guest Post: Recap with the Second Years

Last year I introduced my cohort to the Southern Studies community in an article written for the Southern Register. Bright-eyed and bushy-tailed, we had no idea what a tempestuous journey we were in for. Acclimatizing to the sleep deprivation and never-ending workload endemic to graduate school was an experience we won’t easily forget, but, engaging classes, supportive faculty and an ever-compelling South to study made the challenge entirely worthwhile. I caught up with my cohort, now seasoned graduate students, to hear about their individual Southern Studies experiences and to find out how their interests have changed since entering the program last fall.

We’re Hiring! Joint Faculty Appointment in Sociology/Anthropology and Southern Studies

Faculty Job Posting: Assistant Professor of Sociology or Anthropology and Southern Studies The Department of Sociology and Anthropology (socanth.olemiss.edu) and the Center for the Study of Southern Culture (southernstudies.olemiss.edu) at the University of Mississippi invite applications for a tenure-track Assistant Professor position in Sociology or Anthropology with a joint appointment in Southern Studies starting Fall

New Book of Essential 1960s Blues Interviews Coedited by Mark Camarigg

In 1963, the magazine Blues Unlimited was instrumental to the British blues revival by giving voice to famous, forgotten, undiscovered, or underappreciated blues musicians from the US. The magazine set the standard for documenting blues history through the use of long-form interviews, and in many ways it paved the way for magazines such as Living Blues.

Watch the New SouthDocs/MDAH Voting Rights Act Film

A few weeks ago we had the premiere screening of a new SouthDocs short about the 1965 Voting Rights in Mississippi, produced in partnership with the Mississippi Department of Archives and History. You can now watch it on the MDAH YouTube page and below. Read more about the film on the MDAH website, too.

Interview and Lecture by Gilder-Jordan Speaker Theda Perdue Available

GIlder-Jordan Lecture with Theda Perdue Recap Dr. Theda Perdue presented the 2015 Gilder-Jordan Lecture in Southern Cultural History on September 9. Her talk, partially inspired by the religious studies scholarship of Charles Reagan Wilson, was titled “Indians and Christianity in the New South.” On the morning of the lecture, Dr. Mikaëla M. Adams of the

Skipper and Wharton Publish Research on Lafayette Mardi Gras Celebrations

Dr. Jodi Skipper and Dr. David Wharton have been documenting and studying black Mardi Gras celebrations in Lafayette, Louisiana for several years. Their research was just published in the Summer 2015 issue of The Southern Quarterly, a publication of the University of Southern Mississippi.

Continuing Education: Southern Studies Alums Pursue Doctorates, Write Dissertations

While a Master of Arts degree can be the pinnacle of schoolwork for some students, others continue their foray through academia. Here are a few of the Southern Studies alums who, having decided to pursue a PhD in various fields, are working on or have nearly completed their dissertations. The MA program is known for producing graduates with diverse interests, and these topics reflect that diversity.

Voting Rights Act Film Screening Tuesday in Jackson

On Tuesday, September 22 at 5:30pm, the Mississippi Department of Archives and History will host a screening of a new Southern Documentary Project film, 50 Years and Forward: The Voting Rights Act in Mississippi. The short film is a project of MDAH and SouthDocs, utilizing archival material from a number of MDAH collections to tell Mississippi stories through film.

Brown Bag Lectures begin with ‘Country Soul: Making Music and Making Race in the American South’

The Brown Bag Lunch and Lecture Series kicks off Wednesday, Sept. 16 with Charles Hughes, a Memphis Center Postdoctoral Fellow at Rhodes College. Hughes offers a provocative reinterpretation of the 1960s and 70s, a key moment in American popular music and challenges the conventional wisdom about race in southern recording studios and the music that