The June 2016 issue of Living Blues features a cover story on guitarist and singer Barbara Lynn, best known for her 1962 hit You’ll Lose a Good Thing. From learning to play guitar in her youth to being sampled by rapper Lil’ Wayne, the Beaumont, Texas native looks back on her 54-year career.
Melanie Young feels as though she’s come home since she’s been hired as the new publication manager of Living Blues magazine. She first began working with the magazine in 2009 as the circulation manager, and also had an editorial internship with the publication. Since then, she’s been a contributing writer for Living Blues and even wrote her Southern Studies master’s thesis on the magazine in 2012.
Music of the South Symposium:Defining and Presenting Tradition in Southern Music – Wednesday, April 6, 2016 This spring’s Music of the South Symposium will investigate the creation and performance of the South’s various traditional music forms. The one-day symposium, “Defining and Presenting Traditional Music,” sponsored by the Center, Living Blues magazine, and the Blues Archive,… Read More >
New York native Adam Gussow arrived on a hot and humid University of Mississippi campus in August of 2002, harmonica in hand. The Center for Study of Southern Culture was in need of a blues expert at the time, and he was exactly what they were looking for. Gussow said moving from Vassar College in New York state to small-town Mississippi was a big transition, but it was an ideal one.
A Fond Farewell to MARK CAMARIGG of LIving Blues The Center says goodbye this month to our friend Mark Camarigg, who has worked as Publications Manager for Living Blues since 2003. Mark worked with Living Blues editor Brett Bonner on innovative ways to market and distribute the magazine, dealt with subscribers, maintained the website, oversaw… Read More >
In 1963, the magazine Blues Unlimited was instrumental to the British blues revival by giving voice to famous, forgotten, undiscovered, or underappreciated blues musicians from the US. The magazine set the standard for documenting blues history through the use of long-form interviews, and in many ways it paved the way for magazines such as Living Blues.