Dr. Jaime Cantrell is leading a StudyUSA course June 10-15 in New Orleans. This interdisciplinary course may interest students in the Humanities and Social Sciences (particularly programs/departments including History, Sociology, Gender Studies, English, African American Studies, Journalism, Writing, and Education) as well as students enrolled in General Studies. Students in the following organizations may also …
Oxford Conference for the Book Celebrates Milestone Year Event’s 25th edition features readings, panel discussions and lectures OXFORD, Miss. – For a quarter of a century, poets, novelists, journalists and scholars have gathered at the University of Mississippi to celebrate the written word. This year’s milestone event again brings people together from far and wide …
Scholars researching the history of the South now have an opportunity for funded research in the collections of the Department of Archives and Special Collections at the J. D. Williams Library at the University of Mississippi. The Study the South research fellowship, sponsored by the Center for the Study of Southern Culture and the Department of Archives and Special Collections, will provide funding of $1,500 to one qualified scholar, who will also have access to a carrel in the library.
Music from the American South has made an indisputable impact on culture and politics in the U.S. and around the world, and an upcoming symposium at the University of Mississippi will examine the South’s most prominent and influential musical voices.
The Southern Music Symposium will address questions such as how musicians are creating “Southern” in their sounds and speaking to broader matters of national and international importance, and in what ways they build on the sounds of the past or provide the soundtrack for our common and divided present.
Living Blues #253 (February/March 2018) is a special look at the current North Mississippi Hill Country Blues scene.
The Southern Documentary Project is hiring a full-time Producer/Director. The Producer/Director will be responsible for producing a wide variety of documentary projects that tell stories of the underrepresented South.
We’re excited to announce our panel of student researchers for the Southern Music Symposium coming up on Monday, February 26.
We like to occasionally post syllabi from Southern Studies courses, like Dr. Brian Foster’s SST 102: The Southern Protest Mixtape and Dr. Darren Grem’s course on southern music history. Today we share Dr. Jessie Wilkerson’s SST 560: Introduction to Oral History, which has as its theme “Documenting LGBTQ Histories in Mississippi.”
Southern Studies Spring Brown Bag Lectures Announced Discussions span range of topics from food and culture to sexuality and preserving slave buildings The Brown Bag Lunch and Lecture Series sponsored by the Center for the Study of Southern Culture continues this spring at the University of Mississippi with topics including Mississippi history, New Orleans food movements and environmentalism. …
The blues—as a palette of intense, often contradictory feelings; a range of social conditions heavily inflected by blackness and southernness; an expressive form encompassing literature as well as music; and a philosophical orientation towards experience—are a more complex cultural phenomenon than some realize. This essay unpacks the latter two concepts: blues expressiveness and the blues ethos. Blues expressiveness is constituted by a range of cultural practices, including the AAB stanza, call and response procedure, vocalizations, blues-idiomatic language, and signifying. The blues ethos, too, offers multiple strategies for surviving bad times by refusing to reify the down-ness of the present moment as an inescapable condition, sometimes with the help of harsh, redemptive laughter. In this essay, Adam Gussow draws on a range of lyric, literary, and folkloristic commentary by Langston Hughes, Cornell West, Bessie Smith, Howard Odum, Kalamu ya Salaam, W. C. Handy, Angela Y. Davis, Lonnie Johnson, and many others. The essay also takes an autobiographical turn as Gussow mines his own bandstand and classroom experience with Mississippi-born blues performers Sterling “Mr. Satan” Magee and Bill “Howl-N-Madd” Perry to illustrate the blues ethos in action.