The Mississippi Encyclopedia to Be Published in May

Work on a Center project that began in 2003 is at long last winding up. The Mississippi Encyclopedia—a mammoth collaboration that includes over 1,600 entries, 1,451 pages, and features more than 700 scholars who wrote entries on every county, every governor, and numerous musicians, writers, artists, and activists—will be in print and for sale this May. This is the first encyclopedic treatment of the state since 1907.

New STUDY THE SOUTH Article on Geography and Myth in Faulkner

The best-known setting for William Faulkner’s work is of course the fictional Yoknapatawpha County, set in the hills of North Mississippi, but Faulkner also spent time in the Mississippi Delta, both in person and on paper. In various ways, Delta natives and those with close ties to the alluvial region—such as Ben Wasson, William Alexander Percy, and Phil Stone—significantly affected Faulkner’s life and career. As a result, the Mississippi Delta’s impression on Faulkner influenced much of his fiction in the 1930s and ’40s. The Delta crops up in novels such as The Wild Palms, Go Down, Moses, and Absalom, Absalom! and in stories such as “The Bear,” “Red Leaves,” “A Justice,” and “A Courtship.” Unfurled, these novels and stories present a Faulknerian history of the Delta, and in “The Delta and Yoknapatawpha: The Layering of Geography and Myth in the Works of William Faulkner,” Phillip Gordon bridges the narrow divide between these two Mississippi regions that were so significant to the work of Mississippi’s most celebrated author.

Southern Hip-Hop Week: Day 3 – Hip-Hop and Rap from the NESC

Beginning in the late 1980s, southern hip-hop and rap effectively trumped contemporary R&B as the foremost popular urban music trend. A regional response to the then-burgeoning East and West Coast hip-hop scenes, purveyors of southern rap simultaneously surfaced in cities ranging from Atlanta and Miami to New Orleans, Memphis, and Houston. Although many older music fans downplay the significance and artistic credibility of the genre, southern rap—created by an MC, or rapper, and a DJ, or producer—has emerged as a primary motivator in the youth market, influencing fashion, language, the mass media, and other facets of commercial and popular culture. Similarly, southern rap artists have become avatars of pop culture in their own right, receiving consistent radio airplay, crossing over to film and television roles, and emerging as popular personalities in the marketing and advertising fields.

On Violence in the South: Antilynching Activism

As a response to violence and the issues it raises, and how people have opposed it, the Center will be running a series of entries from the New Encyclopedia of Southern Culture volume on Violence, published in 2011. So far this week we’ve featured entries on Ida B. Wells-Barnett and Jessie Daniel Ames. Today, an article by Karlos K. Hill of Texas Tech University on Antilynching Activism.

On Violence in the South: Jessie Daniel Ames

As a response to violence and the issues it raises, and how people have opposed it, the Center will be running a series of entries from the New Encyclopedia of Southern Culture volume on Violence, published in 2011. Today, an entry on Jessie Daniel Ames by Marie S. Jemison. Yesterday, we featured the entry on Ida B. Wells-Barnett.

On Violence in the South: Ida B. Wells-Barnett

As a response to violence and the issues it raises, the Center will be running a series of entries from the New Encyclopedia of Southern Culture volume on Violence. Today we start with the entry on Ida B. Wells-Barnett by scholar Patricia A. Schechter.

Alum Odie Lindsey Tours Southeast with New Book

Odie Lindsey reads from his new book of short stories, We Come to Our Senses, this summer at bookstores across the South. Odie, an alum of the Southern Studies MA program, also worked as an editor of the Mississippi Encyclopedia.

A Preview of the Newest LIVING BLUES Magazine

The June 2016 issue of Living Blues features a cover story on guitarist and singer Barbara Lynn, best known for her 1962 hit You’ll Lose a Good Thing. From learning to play guitar in her youth to being sampled by rapper Lil’ Wayne, the Beaumont, Texas native looks back on her 54-year career.